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Robin Hood




Home Reading

Northern Ireland

Mr. O’Conrad has just arrived in Yekaterinburg. A conversation took place at the airport between him and the head of the Russian-British International Club.

 

- Let me introduce myself. I’m Mr. O’Conrad. I’m from the United Kingdom of Great Britain and Northern Ireland.   - Добро пожаловать в Россию. Моя фамилия – Петров. Всегда приятно поговорить с англичанином.
- Many foreigners say “England”, “English”, when they mean “Britain” or the UK, or “British”. I am not English. I am an Irishman. - Извините. Вы из Северной Ирландии, да? Насколько я знаю, эта часть Соединенного королевства также называется Ольстер. Не могли бы Вы рассказать, почему?  
- You see, Northern Ireland includes six or nine counties of the historic province of Ulster that’s why we have a habit of naming it “Ulster”. - Если я не ошибаюсь, это самая маленькая часть Соединенного королевства, но очень зеленая и красивая. Вы, наверное, из столицы, не так ли?  
- No, I am not from Belfast. I live in a small town and I always miss my green Ireland when I am away from home. Irish poets call my country the “Emerald Isle”.   - Так красиво. А почему трилистник является национальной эмблемой Северной Ирландии?
- According to the legend the patron St Patric chose the shamrock to illustrate the Christian doctrine of the Trinity to the Irish. - Так интересно. Я Вас приглашаю завтра на собрание клуба, и прошу рассказать о Вашей стране. Это стоит послушать.
The subject of ballads, books and films, Robin Hood has proven to be one of popular culture’s most enduring folk heroes. But how has the legend of Sherwood Forest's merry outlaws evolved over time, and did a real

Robin Hood inspire these classic tales?

Over the course of 700 years, the outlaw from Nottinghamshire who robs from the rich to give to the poor has emerged as one of the most enduring folk heroes in popular culture–and one of the most versatile. Beginning in the 15th century and perhaps even earlier, Christian revelers in certain parts of England celebrated May Day with plays and games involving a Robin Hood figure with near-religious significance. In the 19th century, writer-illustrators like Howard Pyle adapted the traditional tales for children, popularizing them in the United States and around the world. More recently, bringing Robin to the silver screen has become a rite of passage for directors ranging from Michael Curtiz and Ridley Scott to Terry Gilliam and Mel Brooks.

Throughout Robin’s existence, writers, performers and filmmakers have probed their imaginations for new incarnations that resonate with their respective audiences. In 14th-century England, where agrarian discontent had begun to chip away at the feudal system, he appears as an anti-establishment rebel who murders government agents and wealthy landowners. Later variations from times of less social upheaval dispense with the gore and cast Robin as a dispossessed aristocrat with a heart of gold and a love interest, Maid Marian.

Academics, meanwhile, have combed the historical record for evidence of a real Robin Hood. English legal records suggest that, as early as the 13th century, “Robehod,” “Rabunhod” and other variations had become common epithets for criminals. But what had inspired these nicknames: a fictional tale, an infamous bandit or an amalgam of both? The first literary references to Robin Hood appear in a series of 14th- and 15th-century ballads about a violent yeoman who lived in Sherwood Forest with his men and frequently clashed with the Sheriff of Nottingham. Rather than a peasant, knight or fallen noble, as in later versions, the protagonist of these medieval stories is a commoner. Little John and Will Scarlet are part of this Robin’s “merry” crew—meaning, at the time, an outlaw’s gang — but Maid Marian, Friar Tuck and Alan-a-Dale would not enter the legend until later, possibly as part of the May Day rituals.

While most contemporary scholars have failed to turn up solid clues, medieval chroniclers took for granted that a historical Robin Hood lived and breathed during the 12th or 13th century. The details of their accounts vary widely, however, placing him in conflicting regions and eras. Not until John Major’s “History of Greater Britain” (1521), for example, is he depicted as a follower of King Richard, one of his defining characteristics in modern times.

We may never know for sure whether Robin Hood ever existed outside the verses of ballads and pages of books. And even if we did, fans young and old would still surely flock to England’s Nottinghamshire region for a tour of the legend’s alleged former hangouts, from centuries-old pubs to the Major Oak in Sherwood Forest. What we do know is that the notion of a brave rebel who lives on the outskirts of society, fighting injustice and oppression with his band of companions.

 




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