Студопедия

КАТЕГОРИИ:


Архитектура-(3434)Астрономия-(809)Биология-(7483)Биотехнологии-(1457)Военное дело-(14632)Высокие технологии-(1363)География-(913)Геология-(1438)Государство-(451)Демография-(1065)Дом-(47672)Журналистика и СМИ-(912)Изобретательство-(14524)Иностранные языки-(4268)Информатика-(17799)Искусство-(1338)История-(13644)Компьютеры-(11121)Косметика-(55)Кулинария-(373)Культура-(8427)Лингвистика-(374)Литература-(1642)Маркетинг-(23702)Математика-(16968)Машиностроение-(1700)Медицина-(12668)Менеджмент-(24684)Механика-(15423)Науковедение-(506)Образование-(11852)Охрана труда-(3308)Педагогика-(5571)Полиграфия-(1312)Политика-(7869)Право-(5454)Приборостроение-(1369)Программирование-(2801)Производство-(97182)Промышленность-(8706)Психология-(18388)Религия-(3217)Связь-(10668)Сельское хозяйство-(299)Социология-(6455)Спорт-(42831)Строительство-(4793)Торговля-(5050)Транспорт-(2929)Туризм-(1568)Физика-(3942)Философия-(17015)Финансы-(26596)Химия-(22929)Экология-(12095)Экономика-(9961)Электроника-(8441)Электротехника-(4623)Энергетика-(12629)Юриспруденция-(1492)Ядерная техника-(1748)

Contribution to a questionnaire on reading




(1907)

 

You ask me to name ‘ten good books’ for you, and refrain from adding to this any word of explanation. Thus you leave to me not only the choice of the books but also the interpretation of your request. Accustomed to paying attention to small signs, I must then trust the wording in which you couch your enigmatical demand. You did not say: ‘the ten most magnificent works (of world literature)', in which case I should have been obliged to reply, with so many others: Homer, the tragedies of Sophocles, Goethe’s Faust, Shakespeare’s Hamlet, Macbeth, etc. Nor did you say the ‘ten most significant books’, among which scientific achievements like those of Copernicus, of the old physician Johann Weier on the belief in witches, Darwin’s Descent of Man, and others, would then have found a place. You did not even ask for ‘favourite books’, among which I should not have forgotten Milton’s Paradise Lost and Heine’s Lazarus. I think, therefore, that a particular stress falls on the ‘good’ in your phrase, and that with this predicate you intend to designate books to which one stands in rather the same relationship as to ‘good’ friends, to whom one owes a part of one’s knowledge of life and view of the world - books which one has enjoyed oneself and gladly commends to others, but in connection with which the element of timid reverence, the feeling of one’s own smallness in the face of their greatness, is not particularly prominent.

 

I will therefore name ten such ‘good’ books for you which have come to my mind without a great deal of reflection.

 

Multatuli, Letters and Works.

Kipling, Jungle Book.

Anatole France, Sur la pierre blanche.

Zola, Fécondité.

Merezhkovsky, Leonardo da Vinci.

G. Keller, Leute von Seldwyla.

C. F. Meyer, Huttens letzte Tage.

Macaulay, Essays.

Gomperz, Griechische Denker.

 

Mark Twain, Sketches.2

 

I do not know what you intend to do with this list. It seems a most peculiar one even to me; I really cannot let it go without comment. The problem of why precisely these and not other equally ‘good’ books I will not begin to tackle; I merely wish to throw light on the relation between the author and his work. The connection is not in every case as firm as it is, for instance, with Kipling’s Jungle Book. For the most part I could just as well have singled out another work by the same author - for instance, in the case of Zola, Docteur Pascal - and the like. The same man who has given us one good book has often presented us with several good books. In the case of Multatuli I felt in two minds whether to reject the private letters in favour of the ‘Love Letters’ or the latter in favour of the former, and for that reason wrote: ‘Letters and Works’. Genuinely creative writing of purely, poetical value has been excluded from this list, probably because your charge - good books - did not seem exactly aimed at such; for in the case of C. F. Meyer’s Hutten I must set its ‘goodness’ far above its beauty: ‘edification’ above aesthetic enjoyment.

 

You have touched on something, with your request to name for you ‘ten good books’, on which an immeasurable amount could be said. And so I will conclude, in order not to become even more informative.

 

Yours sincerely,

FREUD. 3

 

PROSPECTUS FOR SCHRIFTEN ZUR ANGEWANDTEN SEELENKUNDE

(1907)

 

The Schriften zur angewandten Seelenkunde, the first number of which is published herewith, are aimed at that wider circle of educated people who without actually being philosophers or medical men are nevertheless able to appreciate the science of the human mind for its significance in the understanding and deepening of our lives. The papers will appear in no prescribed order, but will present in each instance a single study, which will undertake the application of psychological knowledge to subjects in art and literature, in the history of civilizations and religions, and in analogous fields. These studies will sometimes bear the character of exact investigations, sometimes that of speculative efforts, attempting now to embrace a larger problem, now to penetrate into a more restricted one; but in every case they will be in the nature of original achievements and will avoid resembling mere reviews or compilations.

 

The Editor feels himself in duty bound to vouch for the originality and general merit of the articles appearing in this series. For the rest, he does not wish either to interfere with the independence of his contributors or to be held answerable for what they express. The fact that the first numbers of the series take particular account of the theories which he himself has advocated in the sphere of science should not determine the view taken of this enterprise. On the contrary, the series is open to the exponents of divergent opinions and hopes to be able to give expression to the variety of points of view and principles in contemporary science.

 

THE PUBLISHER THE EDITOR

 




Поделиться с друзьями:


Дата добавления: 2014-12-23; Просмотров: 543; Нарушение авторских прав?; Мы поможем в написании вашей работы!


Нам важно ваше мнение! Был ли полезен опубликованный материал? Да | Нет



studopedia.su - Студопедия (2013 - 2024) год. Все материалы представленные на сайте исключительно с целью ознакомления читателями и не преследуют коммерческих целей или нарушение авторских прав! Последнее добавление




Генерация страницы за: 0.007 сек.