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Syntactical Stylistic Devices Based on Peculiar Use of Colloquial Constructions




Syntactical Stylistic Devices Based on Peculiar Linkage

Asyndeton is a deliberate avoidance of conjunctions in constructions in which they would normally used.

e.g. He couldn't go abroad alone, the sea upset his liver, he hated hotels.

Polysyndeton - is an identical repetition of conjunctions: used to emphasize simultaneousness of described actions, to disclose the authors subjective attitude towards the characters, to create the rhythmical effect.

e. g. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect.

Gap - sentence - link It presents two utterances the second is brought into the focus of the reader's attention.

e. g. She and that fellow ought to be the sufferers, and they were in I tally.

 

Ellipsis, break in the narrative, represented speech.

Ellipsis - is the omition of a word necessary for the complete syntactical construction of a sentence, but not necessary for understanding. The stylistic function of ellipsis used in author's narration is to change its tempo, to connect its structure.

e. g. You feel all right? Anything wrong or what?

Aposiopesis (Break - in - the narrative). Sudden break in the narration has the function to reveal agitated state of the speaker.

e. g. On the hall table there were a couple of letters addressed to her. One was the bill. The other...

There are 3 ways of reproducing character's speech.

1) direct speech;

2) indirect speech (reported speech)

3) represented speech.

Represented speech There is also a device which coveys to the reader the unuttered or inner speech of the character, his thoughts and feelings. This device is also termed represented speech. To distinguish between the two varieties of represented speech we call the representation of the actual utterance through the author's language "uttered represented speech", and the representation of the thoughts and feelings of the character unuttered or inner represented speech.

Question in the narrative. Changes the real nature of a question and turns it into a stylistic device. A question in the narrative is asked and answered by one and the same person, usually the author. It becomes akin to a parenthetical statement with strong emotional implications. e. g. For what is left the poet here? For Greeks a blush - for Greece a tear.

As is seen from these examples the questions asked, unlike rhetorical questions do not contain statements.

Question in the narrative is very often used in oratory. This is explained by one of the leading features of oratorical style - to induce the desired reaction to the content of the speech.

 




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