New Deal Art

Harlem Renaissance

The Harlem Renaissance was another significant development in American art. In the 1920s and 30s a new generation of educated and politically astute African-American men and women emerged who sponsored literary societies and art and industrial exhibitions to combat racist stereotypes. The movement, which showcased the range of talents within African-American communities, included artists from across America, but was centered in Harlem. The work of the Harlem painter and graphic artist Aaron Douglas and the photographer James VanDerZee became emblematic of the movement.

Thomas Hart Benton, People of Chilmark (Figure Composition), 1920, Hirshhorn Museum and Sculpture Garden, Washington, D.C.

When the Great Depression hit, president Roosevelt’s New Deal created several public arts programs. The purpose of the programs was to give work to artists and decorate public buildings, usually with a national theme. The first of these projects, the Public Works of Art Project (PWAP), was created after successful lobbying by the unemployed artists of the Artists' Union. The PWAP lasted less than one year, and produced nearly 15,000 works of art. It was followed by the Federal Art Project of the Works Progress Administration in 1935, which funded some of the most well-known American artists. The style of much of the public art was influenced by the work of Diego Rivera and other artists of the contemporary Mexican muralism movement. Several separate and related movements began and developed during the Great Depression including American scene painting, Regionalism, and Social Realism.

Дата добавления: 2014-12-23