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Here? Smack in front of the picture window? 4 страница
thing, all the disappointments and unmet expectations, Marley had given us a gift, at once priceless and free. He taught us the art of unqual- ified love. How to give it, how to accept it. Where there is that, most of the other pieces fall into place. The summer after his death we installed a swim- ming pool, and I could not help thinking how much Marley, our tireless water dog, would have loved it, loved it more than any of us possibly could, even as he gouged the liner with his claws and clogged the filter with his fur. Jenny marveled at how easy it was to keep the house clean without a dog shedding and drooling and tracking in dirt. I admitted how nice it was to walk barefoot in the grass without watching where I stepped. The gar- den was definitely better off without a big, heavy- pawed rabbit chaser crashing through it. No doubt Marley & Me about it, life without a dog was easier and im- mensely simpler. We could take a weekend jaunt without arranging boarding. We could go out to dinner without worrying what family heirloom was in jeopardy. The kids could eat without hav- ing to guard their plates. The trash can didn’t have to go up on the kitchen counter when we left. Once again we could sit back and enjoy in peace the wondrous show of a good lightning storm. I especially liked the freedom of moving around the house without a giant yellow magnet glued to my heels. Still, as a family, we were not quite whole. One morning in late summer I came down for breakfast, and Jenny handed me a section of the newspaper folded over to expose an inside page. “You’re not going to believe this,” she said. Once a week, our local paper featured a dog from a rescue shelter that needed a home. The profile always featured a photograph of the dog, its name, and a brief description, written as if the dog were speaking in the first person, making its own best case. It was a gimmick the shelter people used to make the animals seem charming and adorable. We always found the doggie résumés amusing, if for no other reason than the effort John Grogan made to put the best shine on unwanted animals that had already struck out at least once. On this day, staring up from the page at me was a face I instantly recognized. Our Marley. Or at least a dog that could have been his identical twin. He was a big male yellow Lab with an anvil head, furrowed brow, and floppy ears cocked back at a comical angle. He stared directly into the camera lens with a quivering intensity that made you just know that seconds after the picture was snapped he had knocked the photographer to the ground and tried to swallow the camera. Beneath the photo was the name: Lucky. I read his sales pitch aloud. This is what Lucky had to say about him- self: “Full of zip! I would do well in a home that is quiet while I am learning how to control my en- ergy level. I have not had an easy life so my new family will need to be patient with me and con- tinue to teach me my doggie manners.” “My God,” I exclaimed. “It’s him. He’s back from the dead.” “Reincarnation,” Jenny said. It was uncanny how much Lucky looked like Marley and how much the description fit him, too. Full of zip? Problem controlling energy? Working on doggie manners? Patience required? We were well familiar with those euphemisms, having used them ourselves. Our mentally unbalanced dog was Marley & Me back, young and strong again, and wilder than ever. We both stood there, staring at the newspa- per, not saying anything. “I guess we could go look at him,” I finally said. “Just for the fun of it,” Jenny added. “Right. Just out of curiosity.” “What’s the harm of looking?” “No harm at all,” I agreed. “Well then,” she said, “why not?” “What do we have to lose?” Acknowledgments No man is an island, authors included, and I would like to thank the many people whose support helped me bring this book to fruition. At the top of the list, let me start by expressing my deep appreciation to my agent, the talented and indefatigable Laurie Abkemeier of DeFiore and Company, who believed in this story and my abil- ity to tell it even before I fully did myself. I am convinced that without her unflagging enthusiasm and coaching, this book would still be locked in my head. Thank you, Laurie, for being my confi- dante, my advocate, my friend. My heartfelt thanks to my wonderful editor, Mauro DiPreta, whose judicious and intelligent ed- iting made this a better book, and to the always cheerful Joelle Yudin, who kept track of all the de- tails. Thanks also to Michael Morrison, Lisa Gal- Acknowledgments lagher, Seale Ballenger, Ana Maria Allessi, Chris- tine Tanigawa, Richard Aquan, and everyone in the HarperCollins group for falling in love with Marley and his story, and making my dream a reality. I owe a debt to my editors at the Philadelphia In- quirer for rescuing me from my self-imposed exile from the newspaper business that I love so much, and for giving me the priceless gift of my own col- umn in one of America’s greatest newspapers. I am beyond grateful to Anna Quindlen whose early enthusiasm and encouragement meant more to me than she will ever know. A hearty thank-you to Jon Katz, who gave me valuable advice and feedback, and whose books, es- pecially A Dog Year: Twelve Months, Four Dogs, and Me, inspired me. To Jim Tolpin, a busy lawyer who always found the time to give me free and sage advice. To Pete and Maureen Kelly, whose companionship—and cottage overlooking Lake Huron—was the tonic I needed. To Ray and JoAnn Smith for being there when I needed them most, and to Timothy R. Smith for the beautiful music that made me cry. To Digger Dan for the steady supply of smoked meats, and to my siblings, Marijo, Timothy, and Michael Grogan, for the cheerleading. To Maria Rodale for trusting me with a beloved family heir- loom and helping me find my balance. To all those Acknowledgments friends and colleagues too numerous to mention for their kindness, support, and good wishes... thank you all. I could not have even contemplated this project without my mother, Ruth Marie Howard Grogan, who taught me early on the joy of a good tale well told and shared her gift for storytelling with me. With sadness, I remember and honor my biggest fan of all, my father Richard Frank Grogan, who died on December 23, 2004, as this book was go- ing into production. He did not get the chance to read it, but I was able to sit with him one night as his health failed and read the few opening chapters aloud, even making him laugh. That smile, I will remember forever. I owe a huge debt to my lovely and patient wife, Jenny, and my children, Patrick, Conor, and Colleen, for allowing me to trot them out into the public spotlight, sharing the most intimate of de- tails. You guys are good sports, and I love you be- yond words. Finally (yes, last once again), I need to thank that pain-in-the-ass four-legged friend of mine, without whom there would be no Marley & Me. He’d be happy to know that his debt for all the shredded mattresses, gouged drywall, and swal- lowed valuables is now officially satisfied in full. About the Author John Grogan is the Pennsylvania columnist for the Philadelphia Inquirer and the former edi- tor in chief of Rodale’s Organic Gardening mag- azine. Previously he worked as a reporter, bureau chief, and columnist at newspapers in Michigan and Florida. His work has won numerous awards, including the National Press Club’s Consumer Journalism Award. He lives on a wooded hillside in Pennsylvania with his wife, Jenny, three chil- dren, and a surprisingly calm Labrador retriever named Gracie.
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