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Daniel Defoe

A Sons for St. Cecilia's Day

From harmony, from heavenly harmony

This universal frame began;

When Nature underneath a heap

Of jarring atoms lay,

And could not heave her head,

The tuneful voice was heard from high,

"Arise, ye more than dead."

Then cold and hot and moist and dry

In order to their stations leap,

And music's power obey.

From harmony, from heavenly harmony

This universal frame began:

From harmony to harmony

Through all the compass of the notes it ran,

The diapason closing full in man.

What passion cannot music raise and quell?

When Jubal struck the corded shell,

His listening brethren stood around,

And, wondering, on their faces fell

To worship that celestial sound:

Less than a god they thought there could not dwell

Within the hollow of that shell,

That spoke so sweetly and so well.

What passion cannot music raise and quell?

The trumpet's loud clangor

Excites us to arms

With shrill notes of anger

And mortal alarms.

The double, double, double beat

Of the thund'ring drum

Cries, "Hark, the foes come;

Charge, charge, 'tis too late to retreat."

The soft complaining flute

In dying notes discovers

The woes of hopeless lovers,

Whose dirge is whispered by the warbling lute.

Sharp violins proclaim

Their jealous pangs and desperation,

Fury, frantic indignation,

Depth of pains and height of passion,

For the fair, disdainful dame.

But Oh! What art can teach,

What human voice can reach,

The sacred organ's praise?

Notes inspiring holy love,

Notes that wing their heavenly ways

To mend the choirs above.

Orpheus could lead the savage race,

And trees unrooted left their place,

Sequacious of the lyre;

But bright Cecilia raised the wonder higher;

When to her organ vocal breath was given,

An angel heard and straight appeared,

Mistaking earth for heaven.

As from the power of sacred lays

The spheres began to move,

And sung the great Creator's praise

To all the blest above;

So when the last and dreadful hour

This crumbling pageant shall devour,

The trumpet shall be heard on high,

The dead shall live, the living die,

And music shall untune the sky. 1687

 

During his eventful life, Daniel Defoe, a novelist and journalist, exhibited many skills and talents, and produced over 500 books reflecting his rich travelling experience. He worked for both Tory and Whig parties, editing their journals; he was accused of dishonesty, of double-dealing, yet he always stood for moderation.

Daniel Defoe (ca 1660, London, England —April 24, 1731, London), was the son of a hard­working and fairly prosperous candle merchant and a butcher, James Foe, to which name Daniel attached De in 1700. As son of a Flemish nonconformist, Defoe could not enter Oxford or Cambridge. Instead, he went to the academy run by the Reverend Charles Morton, an excellent teacher. The clarity and ease of Morton's writing, along with the Bible, the works of John Bunyan, and the church oratory, all contributed to establishing Defoe's own literary style.

Although prepared for the Presbyterian priesthood, by 1683, Defoe decided to start as a merchant. This trading became one of the enduring interests of his life. He dealt in many goods, travelled extensively at home and abroad, and, as a result, became an intelligent economic theorist far ahead of his time. However, hard luck often struck his enterprises. He remarked of himself:

"No man has tasted differing fortunes more,

And thirteen times I have been rich and poor."

After setting up in business, in 1684, Defoe married a daughter of a well-to-do nonconformist merchant. She made a capable and devoted wife, and bore eight children during their marriage.

In 1692, Defoe went bankrupt, and started again as manager of a brick factory. In 1695, he received a government position. In 1701, Defoe wrote The True-born Englishmen in reply to attacks on the "foreign" king William III (1650-1702), where he vigorously attacked the English idea of racial and national superiority. The next year, he anonymously published The Shortest Way with the Dissenters, a tract mocking church intolerance. Yet, the public learnt who the author was, and Defoe was arrested and jailed. Defoe's business collapsed again, so he had to take up journalism. Robert Harley, the speaker of the House of Commons, helped him out in 1703, recruiting him as a secret agent and public supporter for the government. Defoe devotedly served his masters by giving advice, writing reports and pamphlets. Several times he visited Scotland, especially in the time of the Act of Union (1707), keeping Harley informed of public opinion there. Two decades later these trips resulted in the three volumes of Defoe's splendid and enlightening Tour Through the Whole Island of Great Britain (1724-1726).

When George I acceded to the throne in 1714, Defoe's efforts were acknowledged and he continued to write for the government. At about that time he wrote the best of his many educational works, The Family Instructor (1715). However, none of his previous writings would have secured his literary fame, had he not directed his talents to extensive prose fiction. Defoe's first and foremost novel, The Life and Strange Surprizing Adventures of Robinson Crusoe, of York, Mariner, known as Robinson Crusoe (1719), appeared when its author was nearing 60 years of age. This is a fictional story of a shipwrecked sailor, based on his own voyage memoirs and on the real adventures of Alexander Selkirk, who had been left on an island off the coast of Chile. Full of details about Crusoe's inventive efforts to survive, it has ever since been adored by both children and adults.

Defoe's other novels include Memoirs of a Cavalier (1720), Captain Singleton (1720), and The Fortunes and Misfortunes of Moll Flanders (1722), one of the great English novels. He also authored A Journal of the Plague Year (1722), Roxana (1724), A Tour Through the Whole Island of Great Britain (1724-1727), A General History of the Pirates (1724-1728), and The Complete English Tradesman (1725-1727). The novels of Daniel Defoe, the first novels in the modern sense, gained him a reputation as the father of the English novel, and they are much indebted to his journalistic techniques.

 

 

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