The Process of Development and Change of Meaning

Causes of Development of New Meanings

The first group of causes is traditionally termed historical or extra-linguistic.

Different kinds of changes in a nation's social life, in its culture, knowledge, technology, arts lead to gaps appearing in the vocabulary which beg to be filled. Newly created objects, new concepts and phenomena must be named. We already know of two ways for providing new names for newly created concepts: making new words (word-building) and borrowing foreign ones. One more way of filling such vocabulary gaps is by applying some old word to a new object or notion.

When the first textile factories appeared in England, the old word mill was applied to these early industrial enterprises. In this way, mill (a Latin borrowing of the first century B. C.) added a new meaning to its former meaning "a building in which corn is ground into flour". The new meaning was "textile factory".

A similar case is the word carriage which had (and still has) the meaning "a vehicle drawn by horses", but, with the first appearance of railways in England, it received a new meaning, that of "a railway car".

The history of English nouns describing different parts of a theatre may also serve as a good illustration of how well-established words can be used to denote newly-created objects and phenomena. The words stalls, box, pit, circle had existed for a long time before the first theatres appeared in England. With their ap­pearance, the gaps in the vocabulary were easily filled by these widely used words which, as a result, developed new meanings.¹

New meanings can also be developed due to linguistic factors (the second group of causes).

Linguistically speaking, the development of new meanings, and also a complete change of meaning, may

The second question we must answer in this chapter is how new meanings develop. To find the answer to this question we must investigate the inner mechanism of this process, or at least its essential features. Let us examine the examples given above from a new angle, from within, so to speak.

Most scholars distinguish between the terms development of meaning (when a new meaning and the one on the basis of which it is formed coexist in the semantic structure of the word, as in mill, carriage, etc.) and change of meaning (when the old meaning is completely replaced by the new one, as in the noun meat which in Old English had the general meaning of "food" but in Modern English is no longer used in that sense and has instead developed the meaning "flesh of animals used as a food product").

Why was it that the word mill — and not some other word — was selected to denote the first textile factories? There must have been some connection between the former sense of mill and the new phenomenon to which it was applied. And there was apparently such a connection. Mills which produced flour were mainly driven by water. The textile factories also firstly used water power. So, in general terms, the meanings of mill, both the old and the new one, could be defined as "an establishment using water power to produce certain goods". Thus, the first textile factories were easily associated with mills producing flour, and the new meaning of mill appeared due to this association. In actual fact, all cases of development or change of meaning are based on some association. In the history of the word carriage, the new traveling conveyance was also naturally associated in people's minds with the old one: horse-drawn vehicle > part of a railway train. Both these objects were related to the idea of traveling. The job of both, the horse-drawn carriage and the railway carriage is the same: to carry passengers on a journey. So the association was logically well-founded.

Stalls and box formed their meanings in which they denoted parts of the theatre on the basis of a different type of association. The meaning of the word box "a small separate enclosure forming a part of the theatre" developed on the basis of its former meaning "a rectangular container used for packing or storing things". The two objects became associated in the speakers' minds because boxes in the earliest English theatres really resembled packing cases. They were enclosed on all sides and heavily curtained even on the side facing the audience so as to conceal the privileged spectators occu­pying them from curious or insolent stares.

The association on which the theatrical meaning of stalls was based is even more curious. The original meaning was "compartments in stables or sheds for the accommodation of animals (e. g. cows, horses, etc.)". There does not seem to be much in common between the privileged and expensive part of a theatre and stables intended for cows and horses, unless we take into con­sideration the fact that theatres in olden times greatly differed from what they are now. What is now known as the stalls was, at that time, standing space divided by barriers into sections so as to prevent the enthusiastic crowd from knocking one other down and hurting themselves. So, there must have been a certain outward resemblance between theatre stalls and cattle stalls. It is also possible that the word was first used humorously or satirically in this new sense.

The process of development of a new meaning (or a change of meaning) is traditionally termed transference.

Some scholars mistakenly use the term "transference of meaning" which is a serious mistake. It is very important to note that in any case of semantic change it is not the meaning but the word that is being transferred from one referent onto another (e. g. from a horse-drawn vehicle onto a railway car). The result of such transference is the appearance of a new meaning.

Two types of transference are distinguishable depending on the two types of logical associations underlying the semantic process.

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