Negative Politeness

Negative politeness strategies are oriented towards the hearer’s negative face and emphasize avoidance of imposition on the hearer. These strategies presume that the speaker will be imposing on the listener and there is a higher potential for awkwardness or embarrassment than in bald on record strategies and positive politeness strategies. Negative face is the desire to remain autonomous so the speaker is more apt to include an out for the listener, through distancing styles like apologies [7]. Examples from Brown and Levinson include [2]:

^ Be indirect

Would you know where Oxford Street is?

^ Use hedges or questions

Perhaps, he might have taken it, maybe.

Could you please pass the rice?

^ Be pessimistic

You couldn’t find your way to lending me a thousand dollars, could you?

^ Minimize the imposition

It’s not too much out of your way, just a couple of blocks.

^ Use obviating structures, like nominalizations, passives, or statements of general rules

I hope offense will not be taken.

Visitors sign the ledger.

Spitting will not be tolerated.

^ Apologize

I’m sorry; it’s a lot to ask, but can you lend me a thousand dollars?

^ Use plural pronouns

We regret to inform you.

Favor seeking, or a speaker asking the hearer for a favor, is a common example of negative politeness strategies in use. R. Carter and M. MacCarthy observe three main stages in favor-seeking: the preparatory phase, the focal phase, and the final phase [3]:

1. The preparatory phase is when the favor-seeking is preceded by elaborate precautions against loss of face to both sides. It often involves signals of openings and markers to be used to clarify the situation (e.g. ‘You see,’ or ‘so,’). The request is often softened, made less direct, and imposing (e.g. past continuous ‘I was wondering’; informal tag ‘What d’you reckon?). The speaker must also reduce his own self-importance in the matter and exaggerate the hearer’s (down-scaling compliments).

2. The focal stage is subdivided into elements such as asker’s reasons or constraints (e.g. ‘I’ve tried everywhere but can’t get one’), the other’s face (e.g. ‘You’re the only person I can turn to’), and more.

3. The third stage is the final stage which consists of anticipatory thanks, promises, and compliments (e.g. ‘I knew you would say yes. You’re an angel.’).

An example that is given by McCarthy and Carter is the following dialogue from the Australian television soap opera, "Neighbours":

Clarrie: So I said to him, forget your books for one night, throw a party next weekend.

Helen: A party at number 30! What will Dorothy say about that?

Clarrie: Well, what she doesn't know won't hurt her. Of course, I'll be keeping my eye on things, and (SIGNAL OF OPENING) that brings me to my next problem. (EXPLAIN PROBLEM) You see, these young people, they don't want an old codger like me poking my nose in, so I'll make myself scarce, but I still need to be closer to hand, you see. So, (ASK FAVOR) I was wondering, would it be all right if I came over here on the night? What d'you reckon?

Helen: Oh, Clarrie, I...

Clarrie: Oh (MINIMIZATION) I'd be no bother. (REINFORCE EXPLANATION) It'd mean a heck of a lot to those kids.

Helen: All right.

Clarrie: (THANK WITH BOOST) I knew you'd say yes. You're an angel, Helen.

Helen: Ha! (laughs)

All of this is done in attempt to avoid a great deal of imposition on the hearer and is concerned with proceeding towards a goal in the smoothest way and with sensitivity to one’s interlocutors. English (‘Excuse me, sir, could you please close the window’) is associated with the avoidance or downplaying of an imposition; the more we feel we might be imposing, the more deferential we might be [7]. It is clearly a strategy for negative politeness and the redressing of a threat to negative face, through things like favor-seeking.

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