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Repetition
Chiasmus (Reversedparallel construction) Parallel construction Detached constructions Sometimes one of the secondary parts of the sentence by some specific consideration of the writer is placed so that it seems formally independent of the word it logically refers to. Such parts of structures are called detached. They seem to dangle in the sentence as isolated parts. The detached part, being torn away from its referent, assumes a greater degree of significance and is given prominence by intonation. For example, "Sir Pitt came in first, very much flushed, and rather unsteady in his gait. " Parallel construction is a device which may be encountered not so much in the sentence as in the macro-structures - the syntactical whole and the paragraph. The necessary condition in parallel construction is identical, or similar, syntactical structure in two or more sentences or parts of a sentence, as in: "There were,..., real silver spoons to stir the tea with, and real china cups to drink it out of, and plates of the same to hold the cakes and toast in. " (Dickens) Parallel constructions may be partial or complete. Partial parallel arrangement is the repetition of some parts of successive sentences or clauses. Complete parallel arrangement, also called balance, maintains the principle of identical structures throughout the corresponding sentences, as in "The seeds ye sow - another reaps, The robes ye weave - another wears, The arms ye forge - another bears." (P.B.Shelley) There are two main functions of parallel construction: semantic and structural. On the one hand a parallel arrangement suggests equal semantic significance of the component parts, on the other hand, it gives a rhythmical design to these component parts, which makes itself most keenly felt in balanced constructions. Chiasmus belongs to the group of stylistic devices based on the repetition of a syntactical pattern, but it has a cross order of words and phrases. The structure of two successive sentences or parts of a sentence may be described as reversed parallel construction, the word order of one of the sentences being inverted as compared to that of the other as in: "As high as we have mounted in delight In our dejection do we sink as low. " (Wordsworth) This device is effective in that it helps to lay stress on the second part of the utterance, which is opposite in structure. Repetition is an expressive means of language used when the speaker is under the stress of strong emotion. It shows the state of mind of the speaker, as in the following passage from Galsworthy: "Stop!" - she cried, "Don't tell me! / don't want to hear; I don't want to hear what you've come for. / don't want to hear. " The repetition of / don't want to hear is not a stylistic device; it is a means by which the excited state of mind of the speaker shown. This state of mind always manifests itself through intonation, which is suggested here by the words, she cried. When used as a stylistic device, repetition acquires quite different functions. It does not aim at making a direct emotional impact. On the contrary, the stylistic device of repetition aims at logical emphasis, an emphasis necessary to fix the attention of the reader on the key-word of the utterance. For example: "For that was it! Ignorant of the long and stealthy march of passion, and of the state to which it had reduced Fleur; ignorant of how Soames had watched her, ignorant of Fleur's reckless desperation... - ignorant of all this, everybody felt aggrieved." (Galsworthy) Repetition is classified according to compositional design. If the repeated word (or phrase) comes at the beginning of two or more consecutive sentences, clauses or phrases, we have anaphora, as in the example above. If the repeated unit is placed at the end of consecutive sentences, clauses or phrases we have the type of repetition called epiphore. Repetition may also be arranged in the form of a frame: the initial parts of a syntactical unit, in most cases of a paragraph, are repeated at the end of it. This compositional design of repetition is called framing. Another variety of repetition may be called synonym repetition. This is the repetition of the same idea by using synonymous words and phrases which by adding a slightly different nuance of meaning intensify the impact of the utterance.
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