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Take four: I load Marley into the back of the van with the boy and shut the door. Before Gosse calls “Action!” he breaks for a few minutes to confer with his assistants. Finally, the scene rolls. The van pulls to the curb. The door slides open. The daugh- ter steps out. The boy steps out, but with a bewil- dered look on his face. He peers directly into the camera and holds up his hand. Dangling from it is half the leash, its end jagged and wet with saliva. “Cut! Cut! Cut!” The boy explained that as he waited in the van, Marley began gnawing on the leash and wouldn’t stop. The crew and cast were staring at the severed leash in disbelief, a mix of awe and horror on their faces as though they had just witnessed some great and mysterious force of nature. I, on the other hand, was not surprised in the least. Marley had sent more leashes and ropes to their graves than I could count; he even managed to chew his way through a rubber-coated steel cable that was adver- tised “as used in the airline industry.” Shortly after Conor was born, Jenny came home with a new product, a doggie travel harness that allowed her to buckle Marley into a car seat belt so he couldn’t wander around the moving vehicle. In the first ninety seconds using the new device, he managed Marley & Me to chew through not only the heavy harness itself but the shoulder strap of our brand-new minivan. “Okay, everybody, let’s take a break!” Gosse called out. Turning to me, he asked—in an amaz- ingly calm voice—“How quickly can you find a new leash?” He didn’t have to tell me how much each lost minute cost him as his union-scale actors and crew sat idle. “There’s a pet store a half mile from here,” I said. “I can be back in fifteen minutes.” “And this time get something he can’t chew through,” he said. I returned with a heavy chain leash that looked like something a lion trainer might use, and the filming continued, take after failed take. Each scene was worse than the one before. At one point, Danielle the teenage actress let out a desperate shriek midscene and screamed with true horror in her voice, “Oh my God! His thing is out!” “Cut!” In another scene, Marley was panting so loudly at Danielle’s feet as she spoke on the telephone to her love interest that the sound engineer flipped off his headphones in disgust and complained loudly, “I can’t hear a word she’s saying. All I hear is heavy breathing. It sounds like a porn flick.” “Cut!” So went day 1 of shooting. Marley was a disas- John Grogan ter, unmitigated and without redemption. Part of me was defensive— Well, what did they expect for free? Benji? —and part was mortified. I self- consciously stole glances at the cast and crew and could see it plainly on their faces: Where did this
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