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Structural patterns
NOTES 1. Mozart ['moutsa:t], Wolfgang Amadeus (1756-1791), an Austrian composer 2. The story of Don Giovanni is based on a 14th century Spanish legend. It has been dramatized by a number of famous playwrights, the first being Tirso de Molina in the 16th century. Moliere and Goldoni used the story as a subject for plays, and later Byron wrote his famous poem "Don Juan". 3. Tirso de Molina ['tirsou dei тэ'П:пз] (1571P-1648), a Spanish dramatist 4. Moliere ['moliea] (1622-1673), pseudonym of Jean Baptiste Poquelin, a French actor and dramatist 5. Goldoni [gol'dount] Carlo (1707-1793), an Italian dramatist 6. Mozart's opera "The Marriage of Figaro" continues the story begun in Rossini's "The Barber of Seville" both based on plays by Beaumarchais. 7. Haydn [haidn] Franz Joseph (1732-1809), an Austrian composer 8. Handel ['hændl] George Frederik (1685-1759), a British (German-born) composer 9. Bach [ba:x(k)] Johann Sebastian (1685-1750), a German organist and composer 10. Gluck [glu:k] Christoph Willibald (1714-1787), a German composer 1. Sentences with while-clauses a) Mozart saw the opera as the tragedy of the Don..., while Da Ponte was determined to write a comedy of intrigue. The conjunction while may have the meaning of but in contrast - в то же время, тогда как, а. In this meaning it is synonymous with whereas.
The use of tense forms in such sentences is determined by general rules. b)... he asked her to prepare some punch to keep him away while he wrote the overture. ... he could only go on while Constanze was speaking. The conjunction while may also introduce subordinate clauses of time. It has the meaning of during the time that, for'as long as, at that same time as - пока, в то время как, когда. In complex sentences with a даШе-clause we generally find the following combinations of forms:
The combination of forms may express different time relations between the actions of the clauses. 1) The actions may be fully simultaneous.
2) The actions may be partially simultaneous. In this case the action of the subordinate clause serves as a background for the action of the principal clause which is a shorter completed action.
2. Gerund as Adverbial Modifier of Time (Prep + Gerund) ... he had wanted to hear how the Commandant's scenes sounded before introducing his music thematically into the overture. The gerund can serve as an adverbial modifier of time. In this function it is preceded by the prepositions before, after and on. Before indicates that the action expressed by the gerund follows that of the predicate verb and is usually placed after the predicate verb.
After indicates that the action expressed by the gerund precedes the action expressed by the predicate verb.
On expresses the same relations as after. But it emphasizes the idea of immediate succession of the two actions.
The gerund introduced by after and on is usually placed before the predicate verb. Note: Participle I can also be used in the function of an adverbial modifier of time. It generally denotes an action simultaneous with that of the predicate verb.
Yet if both the predicate verb and Participle I are expressed by terminative verbs, the action of the participle precedes that of the predicate verb.
//The Perfect form of Participle I which stresses a prior action (the priority of the action) is not in frequent use in Modern English. The gerund with after or on is more frequently used. //
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