Кинематика приборных механизмов 5 страница

"What of it?"

"And that machine was your own — the one found in your room."

"It was sent me by the firm at the beginning of my job."

"Yes, but these letters were received afterwards. So it looks, does it not, as though you typed them yourself and posted them to yourself?"

"No, no! It's all part of the plot against me!"

He added suddenly: "Besides, their letters would be written on the same kind of machine."

"The same kind (того же типа), but not the same actual machine (но не на той же реально существующей машинке; actual — актуальный; действительный)."

Mr. Cust repeated obstinately (мистер Каст упрямо повторил): "It's a plot (это заговор; plot — заговор)!"

"And the A.B.C.'s that were found in the cupboard (и /железнодорожные справочники/ «Эй-би-си», которые были найдены в шкафу)?"

"I know nothing about them (я /не/ знаю ничего о них). I thought (я думал) they were all stockings (это все были чулки)."

"Why did you tick off the name of Mrs. Ascher in that first list of people in Andover (почему вы отметили галочкой имя миссис Эшер в первом списке людей в Эндовере)?"

"Because I decided to start with her (потому что я решил начать с нее). One must begin somewhere (нужно с чего-то начинать; somewhere — где-либо)."

"Yes that is true (да, это правда). One must begin somewhere (нужно с чего-то начинать)."

actual [`xktSVql], obstinately [`ObstInqtlI], tick [tIk]

"The same kind, but not the same actual machine."

Mr. Cust repeated obstinately: "It's a plot!"

"And the A.B.C.'s that were found in the cupboard?"

"I know nothing about them. I thought they were all stockings."

"Why did you tick off the name of Mrs. Ascher in that first list of people in Andover?"

"Because I decided to start with her. One must begin somewhere."

"Yes, that is true. One must begin somewhere."

"I don't mean that!" said Mr. Cust (я не это имею в виду). "I don't mean what you mean (я не имею в виду то, что имеете в виду вы)!"

"But you know what I meant (а вы знаете, что я имел в виду)?"

Mr. Cust said nothing (мистер Каст ничего не сказал). He was trembling (он дрожал). "I didn't do it!" he said (я не делал этого). "I'm perfectly innocent (я совершенно невиновен)! It's all a mistake (это все ошибка). Why, look at that second crime (да посмотрите же на второе преступление; why — почему; /междометие/ выражает самые разнообразные эмоции в зависимости от контекста: удивление, согласие или несогласие, нетерпение и т. п.) — that Bexhill one (то, бексхиллское). I was playing dominoes at Eastbourne (я играл в домино в Истборне). You've got to admit that (вам придется признать это)!"

His voice was triumphant (его голос был торжествующим).

trembling [`tremblIN], innocent [`In(q)sqnt], triumphant [traI`Amfqnt]

"I don't mean that!" said Mr. Cust. "I don't mean what you mean!"

"But you know what I meant?"

Mr. Cust said nothing. He was trembling. "I didn't do it!" he said. "I'm perfectly innocent! It's all a mistake. Why, look at that second crime — that Bexhill one. I was playing dominoes at Eastbourne. You've got to admit that!"

His voice was triumphant.

"Yes," said Poirot. His voice was meditative (его голос был задумчивым) — silky (вкрадчивым: «шелковым»). "But it's so easy (но так легко), isn't it (не так ли), to make a mistake of one day (сделать ошибку на один день)? And if you're an obstinate (и если вы упрямый), positive man (и самоуверенный человек), like Mr. Strange (как мистер Стрейндж), you'll never consider the possibility of having been mistaken (вы никогда не учтете возможность /того, что вы/ ошиблись). What you've said you'll stick to (что вы сказали, за то вы будете держаться). He's that kind of man (он такой человек: «он такой тип человека»). And the hotel register (и регистрационнная книга в отеле) — it's very easy to put down the wrong date (очень легко поставить неправильную дату) when you're signing it (когда вы подписываете ее) probably no one will notice it at the time (возможно, никто не заметит этого сразу)."

"I was playing dominoes that evening (я играл в домино в тот вечер)!"

"You play dominoes very well (вы играете в домино очень хорошо), I believe (я полагаю: «верю»)."

meditative [`medItqtIv], stick [stIk], wrong [rON]

"Yes," said Poirot. His voice was meditative — silky. "But it's so easy, isn't it, to make a mistake of one day? And if you're an obstinate, positive man, like Mr. Strange, you'll never consider the possibility of hawing been mistaken. What you've said you'll stick to. He's that kind of man. And the hotel register — it's very easy to put down the wrong date when you're signing it — probably no one will notice it at the time."

"I was playing dominoes that evening!"

"You play dominoes very well, I believe."

Mr. Cust was a little flurried by this (мистер Каст был слегка взволнован этим; to flurry — волновать; будоражить). "I — I — well, I believe (я думаю) I do (я /хорошо играю/)."

"It is a very absorbing game (это очень поглощающая игра), is it not (не так ли), with a lot of skill in it (требующая большого мастерства: «с большим мастерством в ней»)?"

"Oh, there's a lot of play in it (о, /нужно/ много искусства в ней; play — игра; искусство, умение в игре) — a lot of play (много умения)! We used to play a lot in the City (мы, бывало, много играли в Сити), in the lunch hour (во время обеденного перерыва). You'd be surprised the way total strangers come together over a game of dominoes (вы были бы удивлены, насколько совершенные незнакомцы сходятся = сближаются за игрой в домино)."

He chuckled (он хохотнул). "I remember one man (я помню одного человека) — I've never forgotten him (я никогда не забуду его) because of something he told me (из-за того, что он мне сказал) — we just got talking over a cup of coffee (мы просто разговорились за чашкой кофе), and we started dominoes (и мы начали /играть/ в домино). Well, I felt after twenty minutes (я чувствовал через двадцать минут) that I'd known that man all his life (что я знал этого человека всю его жизнь)."

"What was it that he told you?" asked Poirot (что было то, что он сказал вам = и что же именно он сказал вам?).

flurry [`flArI], chuckle [tSAkl], twenty [`twentI]

Mr. Cust was a little flurried by this. "I — I — well, I believe I do."

"It is a very absorbing game, is it not, with a lot of skill in it?"

"Oh, there's a lot of play in it — a lot of play! We used to play a lot in the City, in the lunch hour. You'd be surprised the way total strangers come together over a game of dominoes."

He chuckled. "I remember one man — I've never forgotten him because of something he told me — we just got talking over a cup of coffee, and we started dominoes. Well, I felt after twenty minutes that I'd known that man all his life."

"What was it that he told you?" asked Poirot.

Mr. Cust's face clouded over (лицо мистера Каста помрачнело; to cloud — покрываться тучами; мрачнеть). "It gave me a turn (это меня потрясло) — a nasty turn (ужасно потрясло). Talking of your fate being written in your hand (говорил о твоей судьбе, написанной на твоей руке), he was (он). And he showed me his hand (и он показал мне его руку) and the lines that showed (и линии, которые показывали) he'd have two near escapes of being drowned (он дважды едва не утонет: «у него будет два близких избегания утопания») — and he had had two near escapes (и он дважды едва не утонул). And then he looked at mine (а затем он посмотрел на мою /руку/) and he told me some amazing things (и рассказал мне несколько удивительных вещей). Said (сказал) I was going to be one of the most celebrated men in England (я буду одним из самых известных людей в Англии) before I died (прежде чем я умру). Said the whole country would be talking about me (что вся страна будет говорить обо мне). But he said (но он сказал) — he said — "

Mr. Cust broke down (мистер Каст превался) — faltered (дрогнув; to falter — спотыкаться).

"Yes?"

Poirot's gaze held a quiet magnetism (взгляд Пуаро обладал спокойной притягательностью: «содержал тихий магнетизм»). Mr. Cust looked at him (мистер Каст посмотрел на него), looked away (посмотрел в сторону), then back again (затем снова назад) like a fascinated rabbit (как кролик на удава: «как загипнотизированный кролик»; to fascinate — зачаровывать; гипнотизировать, зачаровывать взглядом)

falter [`fLltq], magnetism [`mxgnItIzm], fascinated [`fxsIneItId]

Mr. Cust's face clouded over. "It gave me a turn — a nasty turn. Talking of your fate being written in your hand, he was. And he showed me his hand and the lines that showed he'd have two near escapes of being drowned — and he had had two near escapes. And then he looked at mine and he told me some amazing things. Said I was going to be one of the most celebrated men in England before I died. Said the whole country would be talking about me. But he said — he said — "

Mr. Cust broke down — faltered.

"Yes?"

Poirot's gaze held a quiet magnetism. Mr. Cust looked at him, looked away, then back again like a fascinated rabbit.

"He said — he said (он сказал) — that it looked (что это выглядело) as though I might die a violent death (как будто я мог умереть ужасной смертью) — and he laughed and said (и он засмеялся и сказал): 'Almost looks (выглядит почти /так/) as though you might die on the scaffold (как будто вы можете умереть на эшафоте),' and then he laughed (а затем он засмеялся) and said that was only his joke (что это была только его шутка)..."

He was silent suddenly (неожиданно он замолчал). His eyes left Poirot's face (его взгляд оставил лицо Пуаро) — they ran from side to side (он бегал по сторонам: «из стороны в сторону»)...

"My head (моя голова) — I suffer very badly with my head (я страдаю очень сильно из-за моей головы), the headaches are something cruel sometimes (головные боли иногда жестокие). And then there are times (и временами: «затем есть времена») when I don't know (когда я не знаю) — when I don't know — "

He broke down (он прервался).

Poirot leant forward (Пуаро наклонился вперед). He spoke very quietly (он говорил очень тихо) but with great assurance (но очень убедительно: «но с большой убедительностью»).

violent [`vaIqlqnt], scaffold [`skxf(q)ld], badly [`bxdlI]

"He said — he said — that it looked as though I might die a violent death — and he laughed and said: 'Almost looks as though you might die on the scaffold,' and then he laughed and said that was only his joke..."

He was silent suddenly. His eyes left Poirot's face — they ran from side to side...

"My head — I suffer very badly with my head... the headaches are something cruel sometimes. And then there are times when I don't know — when I don't know — "

He broke down.

Poirot leant forward. He spoke very quietly but with great assurance.

"But you do know (но вы на самом деле знаете), don't you," he said (не так ли), "that you committed the murders (что вы совершили эти убийства)?''

Mr. Cust looked up (мистер Каст посмотрел вверх). His glance was quite simple and direct (его взгляд был совершенно простым и прямым). All resistance had left him (все сопротивление оставило его). He looked strangely at peace (он выглядел странно умиротворенным).

"Yes," he said. "I know."

"But (но) — I'm right (я прав), am I not (не так ли)? — you don't know why you did them (вы не знаете, почему вы совершили их)?"

Mr. Cust shook his head (мистер Каст покачал его головой).

"No," he said. "I don't (я не /знаю/)."

commit [kq`mIt], resistance [rI`zIstqns], peace [pJs]

“But you do know, don’t you,” he said, “that you committed the murders?’’

Mr. Cust looked up. His glance was quite simple and direct. All resistance had left him. He looked strangely at peace.

“Yes,” he said. “I know.”

“But — I’m right, am I not? — you don’t know why you did them?”

Mr. Cust shook his head.

“No,” he said. “I don’t.”

XXXIV.

Poirot Explains (Пуаро объясняет)

We were sitting in a state of tense attention (мы сидели в состоянии напряженного внимания) to listen to Poirot's final explanation of the case (чтобы послушать последние объяснения Пуаро об этом деле).

"All along," he said (все это время), "I have been worried over the why of this case (я беспокоился по поводу «почему» этого дела = искал причину). Hastings said to me the other day (Гастингс сказал мне на днях) that the case was ended (что дело закончено). I replied to him (я ответил ему) that the case was the man (что это дело — это человек). The mystery was not the mystery of the murders (загадка была не в загадке убийств), but the mystery of A.B.C. (а в загадке Эй-би-си). Why did he find it necessary to commit these murders (почему он посчитал: «нашел» необходимым совершать эти преступления)? Why did he select me as his adversary (почему он выбрал меня как своего противника)?"

tense [tens], attention [q`tenS(q)n], select [sI`lekt]

We were sitting in a state of tense attention to listen to Poirot's final explanation of the case.

"All along," he said, "I have been worried over the why of this case. Hastings said to me the other day that the case was ended. I replied to him that the case was the man. The mystery was not the mystery of the murders, but the mystery of A.B.C.. Why did he find it necessary to commit these murders? Why did he select me as his adversary?"

"It is no answer (это не ответ) to say that the man was mentally unhinged (говорить, что человек был с душевным расстройством; to unhinge —выбивать из колеи, лишать душевного равновесия: «снимать с /верных/ петель»; hinge — петля /напр., дверная/). To say a man does mad things (сказать, что человек совершает сумасшедшие вещи) because he is mad (потому что он сумасшедший) is merely unintelligent and stupid (это просто неумно и тупо). A madman is as logical and reasoned in his action as a sane man (сумасшедший человек столь же логичен и разумен в своих действиях, как здоровый человек; to reason — рассуждать; аргументировать) — given his peculiar biased point of view (принимая во внимание его причудливо склоненную = необъективную точку зрения; to bias — склонять; настраивать). For example (например), if a man insists on going out (если человек настаивает на /том, что бы/ выйти) and squatting about in nothing but a loincloth (и разгуливать ни в чем, в одной лишь набедренной повязке; loin — поясница; to squat — сидеть на корточках; садиться на корточки) his conduct seems eccentric in the extreme (его поведение кажется эксцентричным в крайней степени). But once you know (но стоит вам узнать) that the man himself is firmly convinced (что сам человек твердо убежден) that he is Mahatma Gandhi[49] (что он Махатма Ганди), then his conduct becomes perfectly reasonable and logical (тогда его поведение становится совершенно разумным и логичным)."

bias [`baIqs], squat [skwOt], loincloth [`lOInklOT]

"It is no answer to say that the man was mentally unhinged. To say a man does mad things because he is mad is merely unintelligent and stupid. A madman is as logical and reasoned in his action as a sane man — given his peculiar biased point of view. For example, if a man insists on going out and squatting about in nothing but a loincloth his conduct seems eccentric in the extreme. But once you know that the man himself is firmly convinced that he is Mahatma Gandhi, then his conduct becomes perfectly reasonable and logical."

"What was necessary in this case (что было необходимо в этом деле) was to imagine a mind so constituted (это вообразить ум, устроенный так) that it was logical (чтобы было логично) and reasonable to commit four or more murders (и разумно совершить четыре или больше убийств) and to announce them beforehand by letters written to Hercule Poirot (и объявить о них заранее письмами, написанными Эркюлю Пуаро)."

"My friend, Hastings (мой друг Гастингс), will tell you (расскажет вам) that from the moment (что с того момента) I received the first letter (как я получил первое письмо) I was upset and disturbed (я был расстроен и взволнован; to upset — опрокидывать, переворачивать /о лодке, автомобиле и т. п./; upset — расстроенный, огорченный). It seemed to me at once (мне сразу показалось) that there was something very wrong about the letter (что было что-то очень неправильное относительно этого письма = что в этом письме что-то не так)."

"You were quite right," said Franklin Clarke dryly (вы были совершенно правы, — сказал Франклин Кларк сухо).

constitute [`kOnstItjHt], reasonable [`rJzqnqbl], disturb [dIs`tWb]

"What was necessary in this case was to imagine a mind so constituted that it was logical and reasonable to commit four or more murders and to announce them beforehand by letters written to Hercule Poirot."

"My friend, Hastings, will tell you that from the moment I received the first letter I was upset and disturbed. It seemed to me at once that there was something very wrong about the letter."

"You were quite right," said Franklin Clarke dryly.

"Yes. But there (но там), at the very start (с самого начала), I made a grave error (я совершил серьезную ошибку). I permitted my feeling (я позволил моему чувству) — my very strong feeling about the letter (моему очень сильному чувству относительно письма) to remain a mere impression (остаться простым впечатлением). I treated it (я отнесся к нему) as though it had been an intuition (как будто это была интуиция). In a well-balanced (в хорошо сбалансированном), reasoning mind (рассуждающем = склонном к рассудениям уме) there is no such thing as an intuition (нет такой вещи, как интуиция) — an inspired guess (вдохновенная догадка)! You can guess (вы можете догадаться), of course (конечно) — and a guess is either right (и догадка является либо правильной) or wrong (либо неправильной). If it is right (если она правильная) you call it an intuition (вы называете ее интуицией). If it is wrong (если она неверная) you usually do not speak of it again (вы обычно снова о ней не говорите).

But what is often called an intuition is really impression (но то, что часто называют интуицией, является на самом деле впечатлением) based on logical deduction (основанном на логической дедукции) or experience (или опыте). When an expert feels (когда эксперт чувствует) that there is something wrong about a picture (что с картиной что-то не так) or a piece of furniture (или с предметом мебели) or the signature on a cheque (или с подписью на чеке) he is really basing that feeling on a host of small signs and details (он, на самом деле, основывает это чувство на группе маленьких знаков и деталей). He has no need to go into them minutely (ему нет нужды вникать в них детально/досконально) — his experience obviates that (его опыт избегает этого) — the net result is the definite impression (конечный результат является определенным впечатлением) that something is wrong (что что-то неверно). But it is not a guess (но это не догадка), it is an impression based on experience (это есть впечатление, основанное на опыте)."

deduction [dI`dAkS(q)n], intuition ["Intju(:)IS(q)n], obviate [`ObvIeIt]

"Yes. But there, at the very start, I made a grave error. I permitted my feeling — my very strong feeling about the letter to remain a mere impression. I treated it as though it had been an intuition. In a well-balanced, reasoning mind them is no such thing as an intuition — an inspired guess! You can guess, of course — and a guess is either right or wrong. If it is right you call it an intuition. If it is wrong you usually do not speak of it again.

But what is often called an intuition is really impression based on logical deduction or experience. When an expert feels that there is something wrong about a picture or a piece of furniture or the signature on a cheque he is really basing that feeling on a host of small signs and details. He has no need to go into them minutely — his experience obviates that — the net result is the definite impression that something is wrong. But it is not a guess, it is an impression based on experience."

" Eh bien (ну, так), I admit (я признаю) that I did not regard that first letter (что не рассматривал то первое письмо) in the way I should (тем образом, которым мне следовало). It just made me extremely uneasy (это просто меня крайне обеспокоило: «это просто сделало меня крайне неспокойным»). The police regarded it as a hoax (полиция рассматривала это как розыгрыш). I myself took it seriously (я сам принимал это серьезно). I was convinced (я был убежден) that a murder would take place in Andover (что убийство произойдет в Эндовере) as stated (как утверждалось). As you know (как вы знаете), a murder did take place (убийство действительно произошло)."

"There was no means at that point (не было ни единой возможности на том этапе), as I well realized (как я хорошо осознавал), of knowing who the person was (узнать, кто был этот человек) who had done the deed (который совершил этот поступок). The only course open to me was to try and understand (единственный открытый для меня путь был попытаться понять) just what kind of a person had done it (просто какого типа человек = что за человек сделал это)."

"I had certain indications (у меня были некоторые указания/знаки). The letter (письмо) — the manner of the crime (способ убийства) — the person murdered (/сам/ убитый человек). What I had to discover was (что мне нужно было выяснить, было): the motive of the crime (мотив преступления), the motive of the letter (мотив письма)."

"Publicity," suggested Clarke (известность, — предложил Кларк).

"Surely an inferiority complex covers that," added Thora Gray (несомненно, комплекс неполноценности покрывает = объясняет это, — добавила Тора Грей).

means [mJnz], course [kLs], indication ["IndI`keIS(q)n]

"Eh bien, I admit that I did not regard that first letter in the way I should. It just made me extremely uneasy. The police regarded it as a hoax. I myself took it seriously. I was convinced that a murder would take place in Andover as stated. As you know, a murder did take place."

"There was no means at that point, as I well realized, of knowing who the person was who had done the deed. The only course open to me was to try and understand just what kind of a person had done it."

"I had certain indications. The letter — the manner of the crime — the person murdered. What I had to discover was: the motive of the crime, the motive of the letter."

"Publicity," suggested Clarke.

"Surely an inferiority complex covers that," added Thora Gray.

"That was (это был), of course (конечно), the obvious line to take (очевидный путь, /чтобы его/ придерживаться). But why me (но почему я)? Why Hercule Poirot? Greater publicity could be ensured by sending the letters to Scotland Yard (если отправить письма в Скотланд-Ярд, можно было бы добиться большей известности: «бóльшая известность могла быть обеспечена отправлением писем в Скотланд-Ярд»). More again by sending them to a newspaper (еще бóльшая, если отправить их в газету). A newspaper might not print the first letter (газета, вероятно, не напечатала бы первое письмо), but by the time the second crime took place (но к тому моменту, когда произошло второе преступление), A.B.C. could have been assured of all the publicity (Эй-би-си мог бы быть уверен во всей известности) the press could give (которую пресса могла дать). Why, then, Hercule Poirot? Was it for some personal reason (было это по какой-то личной причине)? There was (было), discernible in the letter (заметное в письме), a slight anti-foreign bias (легкое предубеждение против иностранцев; bias — наклон; предубеждение) — but not enough to explain the matter to my satisfaction (но недостаточное, чтобы объяснить дело, /чтобы/ я был удовлетворен: «до моего удовлетворения» = удовлетворительно в моих глазах)."

ensure [In`SVq], discernible [dI`sWnqbl], anti-foreign [`xntI`fOrIn]

"That was, of course, the obvious line to take. But why me? Why Hercule Poirot? Greater publicity could be ensured by sending the letters to Scotland Yard. More again by sending them to a newspaper. A newspaper might not print the first letter, but by the time the second crime took place, A.B.C. could have been assured of all the publicity the press could give. Why, then, Hercule Poirot? Was it for some personal reason? There was, discernible in the letter, a slight anti-foreign bias — but not enough to explain the matter to my satisfaction."

"Then the second letter arrived (затем прибыло второе письмо) — and was followed by the murder of Betty Barnard at Bexhill (и /за ним/ последовало убийство Бетти Барнард в Бексхилле). It became clear now (тут стало ясным) (what I had already suspected (что я уже подозревал)) that the murders were to proceed in an alphabetical plan (что убийства должны были следовать в алфавитном порядке), but that fact (но тот факт), which seemed final to most people (который казался окончательным для большинства людей), left the main question unaltered (оставлял главный вопрос неизменным; to alter — изменять) to my mind (для моего ума). Why did A.B.C. need to commit these murders (зачем Эй-би-си было необходимо совершать эти преступления)?"

Megan Barnard stirred in her chair (Меган Барнард заерзала на своем стуле; to stir — шевелиться; двигаться). "Isn't there such a thing as (нет ли такой вещи как) — as a blood lust?" she said (как жажда крови?).

follow [`fOlqV], stir [stW], unaltered [`An`Lltqd]

"Then the second letter arrived — and was followed by the murder of Betty Barnard at Bexhill. It became clear now (what I had already suspected) that the murders were to proceed in an alphabetical plan, but that fact, which seemed final to most people, left the main question unaltered to my mind. Why did A.B.C. need to commit these murders?"

Megan Barnard stirred in her chair. "Isn't them such a thing as — as a blood lust?" she said.

Poirot turned to her (Пуаро повернулся к ней). "You are quite right, mademoiselle (вы совершенно правы, мадемуазель). There is such a thing (такое существует). The lust to kill (жажда убивать). But that did not quite fit the facts of the case (но это не совсем подходит под обстоятельства дела). A homicidal maniac (маньяк-убийца) who desires to kill (который желает убивать) usually desires to kill as many victims as possible (обычно желает убить как можно больше жертв: «так много жертв, как возможно»). It is a recurring craving (это повторяющееся стремление; craving — страстное желание, стремление; to crave — страстно желать, жаждать; to recur — снова приходить на ум; повторяться). The great idea of such a killer is to hide his tracks (главная мысль такого убийцы — это спрятать свои следы) — not to advertise them (не рекламировать их). When we consider (когда мы считаем) the four victims selected (что четыре жертвы выбраны) — or at any rate three of them (или, по крайней мере, три из них) (for I know very little of Mr. Downes or Mr. Earlsfield (так как я знаю очень мало о мистере Даунсе или мистере Эрлсфильде)), we realize (мы понимаем) that if he had chosen (что если он выбрал), the murderer could have done away with them without incurring any suspicion (убийца мог бы покончить с ними, не навлекая на себя какое-либо подозрение: «без навлечения на себя какого-либо подозрения»; to incur — подвергаться; навлекать на себя)."

recurring [rI`kWrIN], craving [`kreIvIN], incur [In`kW]

Poirot turned to her. "You are quite right, mademoiselle. There is such a thing. The lust to kill. But that did not quite fit the facts of the case. A homicidal maniac who desires to kill usually desires to kill as many victims as possible. It is a recurring craving. The great idea of such a killer is to hide his tracks — not to advertise them. When we consider the four victims selected — or at any rate three of them (for I know very little of Mr. Downes or Mr. Earlsfield), we realize that if he had chosen, the murderer could have done away with them without incurring any suspicion."

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